How might we live joyfully when the earth around you is tense?
Living is craftsmanship. Such as, the reality is a dramatization and we are the living on-screen characters. In this way, as a craftsman we need to exhibit the best of our character; But life isn’t to be influenced by the occasions that happen in the dramatization. That is, we don’t need to overlook our reality. We generally need to recollect that while resting –
I am not a body, this body we have worn to act in a real existence show.
At the point when my character’s exhibition in Jeevan Natak closes, I will dispose of the body-dress.
All the titles of this life show like name, refrain, and so on are appended to the body.
Whatever is going on/is/is probably going to occur during this lifetime ie the time of life show, and so on. Everything is a piece of the subject of the foreordained show.
Right now, our otherworldly structure, we need to consider them to be of life as a spectator. “Right now, we (Jeeves) are both to play and to watch the dramatization”. Those of us who recall our associate become edified. At that point, he isn’t influenced by any feeling of dramatization.
This answer is getting exceptionally long. So to put it plainly, I intend to state –
“Jeevan Natak should act as a show. It is the specialty of living as an onlooker, without appending itself to the occasions that happen (everybody is acting, having such an inclination).”
In the event that the thing is to be glad, at that point joy is additionally one of the feelings of dramatization, this inclination is the aftereffect of the demonstration of life. What’s more, whatever estimation you get in return for karma is brief, it doesn’t keep us cheerful.
In this manner, one ought to endeavor to accomplish otherworldly joy by transcending the quest for bliss and distress.
“Anand is the circumstance wherein Jeeva Jeevan keeps up his actions with the equivalent opinion, not affected by any feeling of the show.”